dear bloggity,
bow before your all smartass master! for i have returned to take command! BOW!
*slience*
oh,cmon,i wasnt gone that long!
*slience*
ur over reacting. i just had my first igcse and -
*hairball flies by and then slience*
wait! dont get offended! come back! we can fix this,give me a - hello? hellllooo?
*echos*
sighs.
lifes difficult, and then ur own blogn turns its back on you.
this should totally be an mtv show. or better yet, a reality show on e entertaiment.
fuck the kardashians, this show will be a hit!
anywhos, besides my marvelous and under apperciated ideas, all ive been doing lately is nothing. had a week of holiday, and then morow is school. Yes, thats how fullfing and eventful my life is. SChool.
but school can be good! i mean, yea, u have to wake up early but in the end you study and -
im tird. or maybe i just feel like typing shit down because of the guilt.
im sorry blog but i will try and update more.
wish me luck and stop glaring at me
untangable and most untouchable, (because im awesome like that)
key nizzle. fo shizzle.
sigh. its kelly.
Sunday, October 31, 2010
unknowingly
sometimes, the person who surprises you the most is yourself.
i know i offered myself a lot to think about by simply being. i always gathered id be a party person, because i am a crowd person and am the living soul of all thats fun and joyful. Thats what i think atleast. Yet I am possibly always at the most awkward and banal situation in parties; always finding myself out of place and uncomfortable. I seem to not recognize anyone through the mist and personas they have created for themselves, just to fit in.
Ive always thought as myself as confident, yet the first interview i do i am not aware of one word i am saying. After all, everythings easier once you dont have to do it.
portrayal of a denial, i tell myself.
then again, talking to yourself isnt a marvelous start.
i know i offered myself a lot to think about by simply being. i always gathered id be a party person, because i am a crowd person and am the living soul of all thats fun and joyful. Thats what i think atleast. Yet I am possibly always at the most awkward and banal situation in parties; always finding myself out of place and uncomfortable. I seem to not recognize anyone through the mist and personas they have created for themselves, just to fit in.
Ive always thought as myself as confident, yet the first interview i do i am not aware of one word i am saying. After all, everythings easier once you dont have to do it.
portrayal of a denial, i tell myself.
then again, talking to yourself isnt a marvelous start.
Saturday, October 2, 2010
Drama Report
This drama session My project was monologues. Monologues have taught me how to keep my own ground in acting, and keep my individual force in it. I have chosen the monologue from the play "no exit" by Jean Paul, that is about three humans trapped inside a cage. They are meant to be punished by hell, yet unexpectedly they are neither tortured nor in pain. They soon learn though that although it is not what they expected, it is still worthy of being called he'll. The torture begins when they start talking to each other. They're each others eternal pain. I play one of the characters, Inez, who has sinned by taking advantage of a weak woman and manipulating her into having a relationship with herself.
Inez's monologue is filled with despair, yet her pride is still very noticeable. The monologue has to be said with a strong voice to match Inez's character, and yet still leave the void of what Inez is in pain for. Estelle, who is also locked inside the cell but fancies the third prisoner, Garcia.
I have learned that although the emotions are the same during the context, the sound and acting should always move in a fluid way. The way you say words has a great impact on them.
During one of the lessons, when I was the one filming Mariana act, we decided to try a small trick. I moved with the camera while she acted, and noticed afterwards how I made her move around more, use more of the "stage". I also noticed that although our facial expression shows a lot of emotion, body language needs to be in sync for a powerful performance.
You have to find the right way in which to emphasize and strengthen the lines to give them a better impact.
Monologues require a lot in an actor, because everything depends on his/her performance.
I paid more attention to monologues and discovered they are not as easy as I would have thought, but I also learned the different techniques and ways of which other actors do it and of how I could improve my own monologues.
Inez's monologue is filled with despair, yet her pride is still very noticeable. The monologue has to be said with a strong voice to match Inez's character, and yet still leave the void of what Inez is in pain for. Estelle, who is also locked inside the cell but fancies the third prisoner, Garcia.
I have learned that although the emotions are the same during the context, the sound and acting should always move in a fluid way. The way you say words has a great impact on them.
During one of the lessons, when I was the one filming Mariana act, we decided to try a small trick. I moved with the camera while she acted, and noticed afterwards how I made her move around more, use more of the "stage". I also noticed that although our facial expression shows a lot of emotion, body language needs to be in sync for a powerful performance.
You have to find the right way in which to emphasize and strengthen the lines to give them a better impact.
Monologues require a lot in an actor, because everything depends on his/her performance.
I paid more attention to monologues and discovered they are not as easy as I would have thought, but I also learned the different techniques and ways of which other actors do it and of how I could improve my own monologues.
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